

Even when the scientist works alone and in secrecy, she is entangled in social and economic circumstances that would have been unthinkable for the Victor Frankenstein either of Mary Shelley’s novel, or of James Whale’s films for Universal.

But it reworks these motifs, by placing them in the context of today’s computerized and corporate-financed biotechnology. It reworks motifs from (among other obvious sources) Frankenstein, Eraserhead, and Cronenberg’s early biohorror films. Splice is (quite unusually, for speculative films today) anti-apocalyptic, although in a way that is grim rather than reassuring. The film suggests that both our hopes and our fears are greatly exaggerated and that technocentrism ignores too much, both about social structures and about ourselves. Actually, the film is disillusioning, or deflationary, with regard to our sense that technological advances Change Everything, whether for the better or for the worse. Though Splice can be understood as a cautionary tale, it finally puts no more credence in the latter of these opinions than it does in the former. On the other hand, there are the cautionary moralisms warning us against transgressing limits, violating the natural order, and usurping the role of God. On the one hand, there are the utopian dreams of human self-transcendence, of tweaking our own genome in order to become stronger, smarter, and more than human. It draws upon, yet also subtly undermines, both extremes of opinion regarding these issues. Most obviously, Splice addresses our hopes and anxieties concerning the prospects of genetic engineering and transhumanism. In fact, Splice never departs from being a genre film but the way it twists genre conventions is powerful and original. I find this split to be symptomatic of a certain confusion on the part of viewers and critics who remain anxious about whether genre pieces can truly be embraced as works of art.

Interestingly, reviewers’ complaints mostly have to do with the movie’s ending but where some critics dismiss the ending as a lapse into the most predictable and hoary genre cliches, others deplore it as being beyond the pale, absolutely reprehensible and unbearable. (For a representative sample of fan-based negative reactions, see the comments t o Annalee Newitz’s largely favorable review). It’s also gotten fairly mixed reviews, at best.
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The movie seems not to have performed as well at the box office during its first weekend as the studio had hoped (it earned $7.4M, well below pre-weekend projections of $12M - figures from ). As often happens, Splice seems to be one of those cases in which my own enthusiasm is not generally shared either by the critics or the fanboys. Although narratively straightforward, thematically and emotionally it is very rich, and I am not sure how much of it I was able to grasp in just one viewing. Kim has a great discussion of the film, to which my own discussion here is greatly indebted. (Early designs included stingers, but the final design was a blade that later films enlarged.I can’t stop thinking about Vincenzo Natali’s new SF/horror film Splice. Also Xenomorphs don't have stingers, they have chitinous blades on their tails, rather like a Stegosaurus' Thagomizer.
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Second, they show early on, she's not human and something else, she's a mix of human and a whole bunch of different animals, plus Elsa says none of her components are predatory, which rather rules out Xenomorphs. Couple of problems: First, to my knowledge Xenomorphs are not amphibians and obviously humans aren't, but Dren is.
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Dren's inhuman behavior could be the result of her Xenomorph thought processes conflicting with her more human brain, and her ability to change genders might be the fault of a "conflict" between the human genetic code for there to be a sex and the Xenomorph genetic code to possess no gender. But what if it's something not of this Earth?īoth Dren and the Xenomorphs possess stinger-tails, very humanoid anatomy, and Ugly Cute baby forms. Dren was an attempt to create a human- Xenomorph hybrid.It's never really clear what Dren's non-human half is, as it matches no other earthly creature.
